An art song is a vocal music composition, usually written for one voice with piano accompaniment, and usually in the classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire"). An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many pieces of vocal music are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not.
Other factors help define art songs:
- Songs that are part of a staged work (such as an aria from an opera or a song from a musical) are not usually considered art songs. However, some Baroque arias that "appear with great frequency in recital performance" are now included in the art song repertoire.
- Songs with instruments besides piano (e.g., cello and piano) and/or other singers are referred to as "vocal chamber music", and are usually not considered art songs.
- Songs originally written for voice and orchestra are called "orchestral songs" and are not usually considered art songs, unless their original version was for solo voice and piano.
- Folk songs and traditional songs are generally not considered art songs, unless they are art music-style concert arrangements with piano accompaniment written by a specific composer Several examples of these songs include Aaron Copland's two volumes of Old American Songs, the Folksong arrangements by Benjamin Britten, and the Siete canciones populares españolas (Seven Spanish Folksongs) by Manuel de Falla.
- There is no agreement regarding sacred songs. Many song settings of biblical or sacred texts were composed for the concert stage and not for religious services; these are widely known as art songs (for example, the Vier ernste Gesänge by Johannes Brahms). Others sacred songs may or may not be considered art songs.
- A group of art songs composed to be performed in a group to form a narrative or dramatic whole is called a song cycle.
Video Art song
Languages and nationalities
Art songs have been composed in many languages, and are known by several names. The German tradition of art song composition is perhaps the most prominent one; it is known as Lieder. In France, the term mélodie distinguishes art songs from other French vocal pieces referred to as chansons. The Spanish canción and the Italian canzone refer to songs generally and not specifically to art songs.
Maps Art song
Form
The composer's musical language and interpretation of the text often dictate the formal design of an art song. If all of the poem's verses are sung to the same music, the song is strophic. Arrangements of folk songs are often strophic, and "there are exceptional cases in which the musical repetition provides dramatic irony for the changing text, or where an almost hypnotic monotony is desired." Several of the songs in Schubert's Die schöne Müllerin are good examples of this. If the vocal melody remains the same but the accompaniment changes under it for each verse, the piece is called a "modified strophic" song. In contrast, songs in which "each section of the text receives fresh music" are called through-composed. Most through-composed works have some repetition of musical material in them. Many art songs use some version of the ABA form (also known as "song form" or "ternary form"), with a beginning musical section, a contrasting middle section, and a return to the first section's music. In some cases, in the return to the first section's music, the composer may make minor changes.
Performance and performers
Performance of art songs in recital requires special skills for both the singer and pianist. The degree of intimacy "seldom equaled in other kinds of music" requires that the two performers "communicate to the audience the most subtle and evanescent emotions as expressed in the poem and music." The two performers must agree on all aspects of the performance to create a unified partnership, making art song performance one of the "most sensitive type(s) of collaboration". As well, the pianist must be able to closely match the mood and character expressed by the singer. Even though classical vocalists generally embark on successful performing careers as soloists by seeking out opera engagements, a number of today's most prominent singers have built their careers primarily by singing art songs, including Dietrich Fischer-Dieskau, Thomas Quasthoff, Ian Bostridge, Matthias Goerne, Wolfgang Holzmair, Susan Graham and Elly Ameling. Pianists, too, have specialized in playing art songs with great singers. Gerald Moore, Geoffrey Parsons, Graham Johnson, Dalton Baldwin, Hartmut Höll and Martin Katz are four such pianists who have specialized in accompanying art song performances. The piano parts in art songs can be so complex that the piano part is not really a subordinate accompaniment part; the pianist in challenging art songs is more of an equal partner with the solo singer. As such, some pianists who specialize in performing art song recitals with singers refer to themselves as "collaborative pianists", rather than as accompanists.
Composers
British
- John Dowland
- Thomas Campion
- Hubert Parry
- Henry Purcell
- Frederick Delius
- Ralph Vaughan Williams
- Roger Quilter
- John Ireland
- Ivor Gurney
- Peter Warlock
- Michael Head
- Gerald Finzi
- Benjamin Britten
- Morfydd Llwyn Owen
- Michael Tippett
- Ian Venables
- Judith Weir
- George Butterworth
- Francis George Scott
American
- Amy Beach
- Arthur Farwell
- Charles Ives
- Charles Griffes
- Ernst Bacon
- John Jacob Niles
- John Woods Duke
- Ned Rorem
- Richard Faith
- Samuel Barber
- Aaron Copland
- Lee Hoiby
- William Bolcom
- Daron Hagen
- Richard Hundley
- Emma Lou Diemer
Austrian and German
- Joseph Haydn
- Wolfgang Amadeus Mozart
- Franz Schubert
- Hugo Wolf
- Gustav Mahler
- Alban Berg
- Arnold Schoenberg
- Erich Wolfgang Korngold
- Viktor Ullmann
- Carl Philipp Emanuel Bach
- Ludwig van Beethoven
- Johann Carl Gottfried Loewe
- Fanny Mendelssohn
- Felix Mendelssohn
- Robert Schumann
- Clara Schumann
- Johannes Brahms
- Richard Strauss
- Hanns Eisler
- Kurt Weill
French
- Hector Berlioz
- Charles Gounod
- Pauline Viardot
- César Franck
- Camille Saint-Saëns
- Georges Bizet
- Emmanuel Chabrier
- Henri Duparc
- Jules Massenet
- Gabriel Fauré
- Claude Debussy
- Erik Satie
- Albert Roussel
- Maurice Ravel
- Jules Massenet
- Darius Milhaud
- Reynaldo Hahn
- Francis Poulenc
- Olivier Messiaen
Romanian
- George Enescu
Spanish
19th century:
- Francisco Asenjo Barbieri
- Ramón Carnicer y Batlle
- Ruperto Chapí
- Antonio de la Cruz
- Manuel Fernández Caballero
- Manuel García
- Sebastián de Iradier
- José León
- Cristóbal Oudrid
- Antonio Reparaz
- Emilio Serrano y Ruiz
- Fernando Sor
- Joaquín Valverde
- Amadeo Vives
20th century:
- Enrique Granados
- Manuel de Falla
- Joaquín Rodrigo
- Joaquín Turina
- David del Puerto
Latin American
In Spanish:
- Roberto Caamaño - Argentina
- Hector Campos-Parsi - Puerto Rico
- Pompeyo Camps - Argentina
- Carlos Chávez - Mexico (also in German and English)
- Alberto Ginastera - Argentina
- Carlos Guastavino - Argentina
- Mario Lavista - Mexico
- Jaime León Ferro - Colombia
- Julián Orbón - Cuba
- Juan Orrego-Salas - Chile
- Carlos Pedrell - Uruguay
- Juan Bautista Plaza - Venezuela
- Manuel Ponce - Mexico
- Silvestre Revueltas - Mexico
- Miguel Sandoval - Guatemala
- Domingo Santa Cruz - Chile
- Andrés Sas - Peru
- Guillermo Uribe-Holguín - Colombia
- Aurelio de la Vega - Cuba
In Portuguese (all Brazilian):
- Ernani Braga
- Camargo Guarnieri
- Osvaldo Lacerda
- Jaime Ovalle
- Heitor Villa-Lobos (also songs in Italian, French, English, Spanish, Nheengatu, and Latin)
Italian
- Claudio Monteverdi
- Gioachino Rossini
- Gaetano Donizetti
- Vincenzo Bellini
- Giuseppe Verdi
- Amilcare Ponchielli
- Paolo Tosti
- Ottorino Respighi
- Mario Castelnuovo-Tedesco
- Luciano Berio
- Lorenzo Ferrero
Eastern European
- Franz Liszt - Hungary (nearly all his art song settings are of texts in non-Hungarian European languages, such as French and German)
- Antonín Dvo?ák - Bohemia
- Leo? Janá?ek - Bohemia (Czechoslovakia)
- Béla Bartók - Hungary
- Zoltán Kodály - Hungary
- Frédéric Chopin - Poland
- Stanis?aw Moniuszko - Poland
Nordic
- Edvard Grieg - Norway (set German as well as Norse and Danish poetry)
- Jean Sibelius - Finland (set both Finnish and Swedish)
- Yrjö Kilpinen - Finland
- Wilhelm Stenhammar - Sweden
- Hugo Alfvén - Sweden
- Carl Nielsen - Denmark
Russian
- Mikhail Glinka
- Alexander Borodin
- César Cui
- Nikolai Medtner
- Modest Mussorgsky
- Pyotr Ilyich Tchaikovsky
- Nikolai Rimsky-Korsakov
- Alexander Glazunov
- Sergei Rachmaninoff
- Sergei Prokofiev
- Igor Stravinsky
- Dmitri Shostakovich
Ukrainian
- Vasyl Barvinsky
- Stanyslav Lyudkevych
- Mykola Lysenko
- Nestor Nyzhankivsky
- Ostap Nyzhankivsky
- Denys Sichynsky
- Myroslav Skoryk
- Ihor Sonevytsky
- Yakiv Stepovy
- Kyrylo Stetsenko
Asian
- Nicanor Abelardo (Philippines)
- Ananda Sukarlan (Indonesia)
Afrikaans
- Jellmar Ponticha
- Stephanus Le Roux Marais
See also
- Kundiman
- Song
- Song cycle
Footnotes
References
- Draayer, Suzanne (2009), Art Song Composers of Spain: An Encyclopedia, Lanham, Maryland: Scarecrow Press, ISBN 978-0-8108-6362-0
- Draayer, Suzanne (2003), A Singer's Guide to the Songs of Joaquín Rodrigo, Lanham, Maryland: Scarecrow Press, ISBN 978-0-8108-4827-6
- Kimball, Carol (2005), Song: A Guide to Art Song Style and Literature, revised edition, Milwaukee, Wisconsin: Hal Leonard, ISBN 978-1-4234-1280-9
- Meister, Barbara (1980), An Introduction to the Art Song, New York, New York: Taplinger, ISBN 0-8008-8032-3
- Randel, Don Michael (2003), The Harvard Dictionary of Music, Harvard University Press, p. 61, ISBN 0-674-01163-5, retrieved 2012-10-22
- Villamil, Victoria Etnier (1993), A Singer's Guide to the American Art Song (2004 paperback ed.), Lanham, Maryland: Scarecrow Press, ISBN 0-8108-5217-9
Further reading
- Emmons, Shirlee, and Stanley Sonntag (1979), The Art of the Song Recital (paperback ed.), New York: Schirmer Books, ISBN 0-02-870530-0
- Hall, James Husst (1953), The Art Song, Norman, Oklahoma: University of Oklahoma Press
- Ivey, Donald (1970), Song: Anatomy, Imagery, and Styles, New York: The Free Press, ISBN 0-8108-5217-9
- Soumagnac, Myriam (1997). "La Mélodie italienne au début du XXe siècle", in Festschrift volume, Échoes de France et d'Ialie: liber amicorum Yves Gérard (jointly ed. by Marie-Claire Mussat, Jean Mongrédien & Jean-Michel Nectoux). Buchet-Chastel. p. 381-386.
- Walter, Wolfgang (2005), Lied-Bibliographie (Song Bibliography): Reference to Literature on the Art Song, Frankfurt am Main: Peter Lang, ISBN 08204-7319-7
- Whitton, Kenneth (1984), Lieder: An Introduction to German Song, London: Julia MacRae, ISBN 0-531-09759-5
External links
- Hampsong Foundation
- Joy In Singing
- The LiederNet Archive - texts to over 140,000 vocal works with over 29,000 translations
- Art Song Central
- The Art Song Project
- The African American Art Song Alliance
- Art Song Composers of Spain
- Canadian Art Song Project
- Latin American Art Song Alliance
- Ukrainian Art Song Project
- Ukrainian art songs. Audio files.
- Hispasong.com Spanish vocal music, in English.
- Canciones de España--Songs of Nineteenth-Century Spain [1]
- lottelehmannleague.org/singing-sins-archive (archived Hawaii Public Radio broadcasts about arts songs)
Source of article : Wikipedia
0 Comments